Tag Archives: Anthropologetics

We Are Fanor?

dawnfelagund:

Or Thoughts on Reading Moral Ambiguity into the Characterizations of the Fëanorians

[Crossposted to the Heretic Loremaster]

Several weeks ago, I got irritated at a piece about The Silmarillion in a well-known blog that cast Fëanor in the role of the unmitigated villain. It was a rare show of negativity for me, and I almost didn’t post it because of that. But I did, and I’ve been thinking about why this particular interpretation of Fëanor as some evil entity irritates me to the point of uncharacteristic venom (especially since I’ve been known to roll my eyes at people who can’t be arsed to go out to vote because it’s raining but will tip over cars because of a football game or encourage teenagers to self-harm because they don’t like their fan fiction).

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I feel like to reduce Fëanor (or his sons) to villains flattens one of the most interesting questions posed in The Silmarillion to where it isn’t even worth asking: What causes a person to “fall”? ….

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But to acknowledge that a character like Fëanor is capable of villainous actions without existing purely as a villain is a scary proposition for a lot of people, I think. We like to imagine people like Fëanor as somehow different from us in their capacity for evil deeds. We—those of us who are good by nature—would never rob, murder, and betray our fellow humans like that. There is something extraordinary and wrong in the nature of Fëanor that he can and does.

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Beautiful and insightful. I’m not sure where I’m going with this, but it seems like our capacity for selective retention, and thus the rather interesting (but thoroughly exasperating) side effect of the spawning of fanon, is related to this phenomenon Dawn Felagund mentioned.

I believe, unless one’s comprehension ability is genuinely that low, that inside us there is a need to rationalise and compartmentalise, label things so our brains can process and accept or make sense of things. Often it seems this involves “othering” behaviour we have negative ideas of, or do not want to be associated with. It can even be behaviour, states or traits we feel, for some reason, unable (or perhaps the more appropriate word is reluctant) to try for, or attain personally (”Wow, he/she must have super willpower to lose that weight at all. I can never do what he/she did.”).

On the other hand, the romantising, elevation, and “pedestalling” of characters we like (or want to like, or wish to cast into perfection), that need to whitewash bad behaviour, is just as prevalent.

But is the world ever really so black and white? Honestly, the moral ambiguity of the Silmarillion characters is what makes it so interesting for me. The vagueness of Thranduil’s character arc and background amidst the opulent foundation of the Silm is what makes him so appealing to me.

Before anyone start making a swiss cheese imitation out of this post, I’ll just say this: I am well aware of the irony of being both a book!canon fan and a fan fiction writer. It may seem like semantics to some, but to me there is a very clear distinction between knowing and using canon to create a fan fiction, and spawning fanon and corrupting canon. I just hope I never develop blindspots and fall into the fanon trap, or if I did, to recognise I got in a hole and find ways to get out of it.

We Are Fanor?

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Movie: When social engineering has a spot at the drawing board [spoiler]

(With this post, my side-trip into BotFA/The Hobbit Movie feels, processing, and even quickie fix-it ficcing ends. The next post on Friday will pick up from where I left off with my notations for the Silmarillion chapters. Yes, the ANGST of Middle-earth cometh! Watch out for Reader: The Silmarillion. Quenta Silmarillion, Chapter 21 “Of Túrin Turambar”.)
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Thranduil_BotFAWith two viewings of BotFA, it’s enough to make me question if I want to go back for a third time. Very unusual for this fan of the Middle-earth movies. The thing is, I’ve been thinking, and I’m not happy it’s The Tauriel Conundrum having a field day(s) in my noggin, and not Thranduil’s visage. But the compound question of representation, political correction, affirmative action, and the emblematic social engineering in a movie series like The Hobbit is an interesting one.

(Fair warning. This is a LONG spiel, and there may be some controversial or uneasy to process thoughts about society after the cut, so look away now if it’s not your cuppa.)

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